![how to make your own ableton live packs for push how to make your own ableton live packs for push](https://ableton-production.imgix.net/help/learn-live.jpg)
Thankfully, Live 10 rectifies these shortcomings and then some.
![how to make your own ableton live packs for push how to make your own ableton live packs for push](https://1.bp.blogspot.com/-atbaYNHCIwY/XRgtwCLphaI/AAAAAAAAJjw/dEjNjJ4x9D8-tugESE7ZslTiIRXnNq7GwCLcBGAs/s1600/IMG_2501c.jpg)
For someone who grew up on Live, it’s been a valuable and fun learning experience to break out of the Live ecosystem, but also a little heartbreaking. My Push controller – which I love – has become a glorified clip launcher. For the past few years, I’ve been using Live as a container for third-party VSTs, recording audio from hardware synths, basic effects work and very little else. Its Suite version – which contains all of Ableton’s synths, effects and samples, either licensed or in-house and was my entire studio for several years – had become dated next to platforms like NI’s Maschine, whose drum sounds are better suited to the contemporary electronic landscape. On a simple level, it’s down to muscle memory – knowing instinctively where to click to find what you need – but it’s also the time you need to take to unlearn these habits – time I’d rather spend making music.įor a lot of users though, Live is probably not the one-stop-shop it used to be. Even if the basic principles of all DAWs are the same, learning a new one is hard.
How to make your own ableton live packs for push how to#
I learned the basics of music-making on a cracked copy of Live 5 that I downloaded in 2006 and I’ve not been able to bring myself to fully switch to another DAW in the years that have followed because, well, I know how to use it. For me at least, Live’s Operator synth doesn’t cut it in a post-Massive world.ĭespite this, Live is still an essential part of a lot of setups. The reason for this is simple: where once Ableton led on innovation, it’s let itself get overtaken by the competition. Some have moved to building their own modular synths, others have moved to all-in-one boxes like Elektron’s Octatrack hardware, while I’ve found myself more interested in what Native Instruments and Bitwig have been doing. It’s a feeling that a lot of Live users I know share. I’m not sure when or how it happened, but at some point over the past seven or so years, Ableton Live stopped giving me what I wanted from a piece of music production software.
![how to make your own ableton live packs for push how to make your own ableton live packs for push](https://cdn.shoplightspeed.com/shops/610755/files/3009199/ableton-push-2.jpg)
But does it deliver? Scott Wilson dives into the year’s most anticipated piece of music software. Ableton Live 10 is here, with visual improvements, a new synth, three new effects and a promise that making music with the DAW will be easier and more fun than ever before.